Souasn Biffy Clyro zveejnili podrobnosti o sv&233 m nov&233 m albu Ellipsis. Jednou z jeho zast&225 vek bude 7.ervna tak&233 Praha, kdy Biffy Clyro vystoup&237 ve velk&233 m s&225 le Lucerny. Skotsk&225 rockov&225 kapela Biffy Clyro zveejnila zast&225 vky sv&233 ho turn&233 k albu, kter&233 vyjde po&225 tkem pr&225 zdnin.
I consider, therefore, that I have paid my dues and I will never, ever pay ticket tout prices for a gig again.Which is a problem. In 1995, I paid £100 for £30 tickets for Glastonbury and in 2004, I paid £80 for £25 Pixies tickets. It is well known that many of those tickets are bought in bulk by ticket touts intending to sell them online or outside gigs for hugely inflated prices. I need the Justboy live performance in my life, seen as the Sheffield gig will more than likely be.It is notoriously hard to get concert tickets in London as they sell out within minutes of going on sale. Please, only add official videos, videos from sources other than Youtube are not accepted.Im really hoping somebody managed to do a youtube-dl of it. VIDEO + ADD YOUTUBE VIDEO Enter the url of the Youtube video below to add it to the site.
Although White Lies are known to dislike the comparison, it is impossible not to notice the similarity between Harry McVeigh’s lovely baritone voice and that of Tom Smith of Editors. White Lies are one of those bands that I’d heard of but had never taken the time to listen to before last night but I was impressed enough to go out and get their music. Their sound quality seemed improved over I Am Arrows too but this might have been down to their confidence. They played a cover of the Tears for Fears classic “Everybody Wants to Rule the World” which had everyone’s hands in the air and they finished off with their most well known song “Green Grass”.White Lies were up next and immediately seemed more comfortable in the stadium than the previous band. They struggled at times to get the crowd really going at all and they seemed lost in the stadium setting but they redeemed themselves with their last two songs.
Thankfully, they seemed to get it right for their massive hits “Who’s Got a Match” and “”Mountains” and I enjoyed hearing “Born On A Horse”, “Shock Shock” and “Many of Horror” too. Which is a real pity because I could barely recognise “That Golden Rule”, “Living Is A Problem Because Everything Dies” and “Bubbles”. To be fair, there was obviously something wrong with their sound because on about the fourth song, vocalist Simon Neil seemed to make a complaint of sorts and the sound immediately improved thereafter. I was expecting a rather polished rock band but what we saw on stage was just a mess. I’ve linked to the review so that you can see what the band did look like because they looked nothing like that now. I’ve been listening to Biffy Clyro quite a lot over the past year and reviewed their album Only Revolutions back in March.
Seeing Muse at Wembley was honestly one of the best experiences of my life! The only complaint I have about the whole of Muse’s set was that they didn’t play “New Born” (which they played the night before) but I do think hearing “Map of the Problematique” was an acceptable trade. All too soon, it was over and all we were left with was a feeling of exhilaration and scores of white orbs that descended over the crowd. It was fabulous to see! They played “Stockholm Syndrome” too in that encore and disappeared off the stage again.I have to say, I was pretty confident that they would return for a second encore and was thrilled when they returned with “Take a Bow”, “Plug In Baby” and “Knights of Cydonia”. That was incredible and mind-blowing enough but then a trapeze artist dropped out of the balloon and began to perform acrobatics in the air. "Bliss" and "Guiding Light" followed and then, to my utter delight, they played "Hysteria" preceded by the full version of "Interlude".I won't list all of the songs that followed but my highlights were their cover of the Leslie Bricusse and Anthony Newley classic "Feeling Good" the platform lifting away from the stage and carrying the band into the air during "Undisclosed Desires" and their cover of the old Animals classic "House of the Rising Sun" which lead into my very favourite Muse song "Time Is Running Out".During their first encore, the bank played “Exogenesis: Symphony Part 1 (Overture)” and a giant, inflatable UFO came from around the back of the stage and floated across the stadium. I was absolutely thrilled when they went on to play "Map of the Problematique" next as it is one of my favourite songs and they had not played it at the Wembley gig the evening before.
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